Drive Movie Review:
Drive Movie Review: This rough and rash spine-chiller has the power to drive even the most undemanding Bollywood fan up the wall with its insipid mix of speed, greed, and wild goose chases.
Drive appears to have been strung up with impacts from Hollywood films featuring sharp racing, sleek cars, and canny ‘chors,’ but has none of the smarts it is aiming at.
Drive movie director: Tarun Mansukhani
Drive movie cast: Jacqueline Fernandez, Sushant Singh Rajput, Vikramjeet Virk, Boman Irani and Pankaj Tripathi.
Drive movie rating: 1.5 stars ( out of 5)
When movie start, you see hot wheels, hotter girls, lots of revving cars, and some chatter about racing and winning. So you think alright at that point, that’s what Drive is all about. But no, that’s not what it is about. Or shall we say, that’s not what it is ALL about?
Our attention is drawn to a bunch of thieves burgling a jewelry store. Some other thieves are tracking those ‘chors’. For what purpose? Don’t ask. Everybody is dressed like they just got off the sets of Oceans 11/12 etc. I told you, don’t ask, didn’t I?
In one more strand, a bunch of government officials are trying to track the stolen ‘maal’. There’s a staid-looking middle-aged lady who is an expert at creaming off the top. Any top. Any top. Going with her is an associate (Tripathi) who follows orders when he is not slapping about some reedy fellow. What’s more, floating over them is a PM-ke-daftar-se type (Irani) who is intended to illuminate every one of these puzzles.
- This Dharma Productions film has been released only on Netflix, not in the cinema hall (theatres)
- Sushant Singh Rajput and Jacqueline Fernandez star in this lazy heist thriller
Someplace in this chaos, we see a smooth, we see a sleek, well-combed guy (Rajput) trying to keep pace with a leggy, tumble-locked, pink-lipped gal (Fernandez), who preferences spending time with a buffed-up, inked character (Virk) who appears to have a weakness for a quite youthful thing (Pabbi). They are generally to be found in a garage/hangar/den strewn with Ipads and computers and sundry extras who show up to cheer now and then. They, psst, speak in ‘Patri-code’. Huh?
Everyone is chasing everyone else. Did I reveal to you that Rashtrapati Bhavan becomes a location in this movie? That’s right. It is demonstrated to be a warren of walkie-talkies and CCTVs and formally dressed, gatekeepers and an exhibition hall like huge room where there are works of art strewn about, and which has, indeed, shhh, a mystery room. and which has, yes, shhh, a secret room.
The girls look all blow-dried and cat-walk ready and break into dance whenever they need a break. A song goes, Karma is a bitch. Or a snitch? Who knows? what’s more, taking a gander at the plot,, or what passes for it, who cares? Who are the real ‘chors’? You don’t should be uncommonly keen to twig on: when the uncover isn’t an uncover, what’s going on here? A sad joke.
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